CBS Radio Mystery Theater (a.k.a. Radio Mystery Theater and Mystery Theater, sometimes abbreviated as CBSRMT) was a radio drama series created by Himan Brown that was broadcast on CBS Radio Network affiliates from 1974 to 1982, and later in the early 2000s was carried by the NPR satellite feed.
The format was similar to that of classic old time radio shows like The Mysterious Traveler and The Whistler, in that the episodes were introduced by a host (E. G. Marshall) who provided pithy wisdom and commentary throughout. Unlike the hosts of those earlier programs, Marshall is fully mortal, merely someone whose heightened insight and erudition plunge the listener into the world of the macabre (in a manner similar to that of "The Man in Black" on yet another old time radio program, Suspense).
As with Himan Brown's prior Inner Sanctum Mysteries, each episode of CBS Radio Mystery Theater opened and closed with the ominous sound of a creaking crypt door, accompanied by Marshall's disturbing utterance, "Come in!… Welcome. I'm E. G. Marshall." This was followed by one of Marshall's other catchphrases, usually either "The sound of suspense" or "The fear you can hear." At the conclusion, the door would swing shut, preceded by Marshall's classic sign off, "Until next time, pleasant… dreams?" Marshall hosted the program from January 1974 until February 1982, when actress Tammy Grimes took over for the series' last season, maintaining the format.
CBSRMT was broadcast each weeknight, at first with a new program each night. Later in the run three or four episodes were new originals each week, and the remainder repeats. There were 1,403 original episodes, all of which are included in this 2 DVD set. The total number of broadcasts, including reruns, was 2,969. Each episode was allotted a full hour of airtime, but after commercials and news, episodes typically ran for about 45 minutes.
In repeats of the show broadcast in the early 2000s, Himan Brown replaced E.G. Marshall's original host segments.
The program was pitched, at least initially, to an audience old enough to remember classic radio; Brown was a legend amongst radio drama enthusiasts for his work on Inner Sanctum Mysteries, The Adventures of Nero Wolfe and other shows dating back to the 1930s. Even young characters in early episodes of CBSRMT tended to have names popular a generation earlier, such as Jack, George, Phyllis and Mary. Many scripts, especially those by Ian Martin, showed a tin ear for 1970s youth slang ("Don't let her give you no run-around, dad!"; "I think bein' around here's gonna be kicks!"; "I dig a man who's far out!"). As late as 1981, Sam Dann's scripts included nervous or skeptical references to "women's lib", a term that was by then a decade out of date. In short, Brown made no attempt to broaden the program's appeal beyond the generation that had been raised on radio.
The debut of CBSRMT, only a few months after the American Graffiti phenomenon, coincided with the 1950s nostalgia fad that swept young America between 1972 and 1978. The program quickly developed a fan base among young listeners in addition to its target audience.
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